French, Limoges, mid-16th century

private collection, Apeldoorn

Overall the condition of the enamel is good with some wear and minor dirt to the surface consistent with age. There is an area of restoration running along the edge at the top, another at the bottom edge, and another smaller area at the edge on the right. There is a chip to the bottom right corner. There are a few nicks and scratches, especially at the centre. There is minor pitting, including to the cross. There is some wear to the gilding, which is ghosted in a few areas, including the Virgin's halo. The wood frame is in good condition with wear to the gilding and slightly open but stable joints.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The composition of this fine small plaque is derived from Marcantonio Raimondi's influential engraving of Raphael's Deposition.

RELATED LITERATURE
M. Beyssi-Cassan, Le métier d'émailleur à Limoges XVIe-XVIIe siècle, Limoges, 2004, pl. XVIII