Nicola Grassi

In the family of the present owner since circa 1930.

Oil on canvas. The canvas has relaxed on the stretcher. The work is in relatively untouched condition. There are three lines of horizontal losses -- one in Rachel's elbow, one in her dress across the hips, and another below her knees. There is additional scattered paint loss throughout the work, though especially in the right half of the work and in the male figure. There is a zigzag patterned tear in the sky at upper right. Abrasions at the extreme edges. Surface dirt, dust and a very dirty varnish. Under UV light, there are no apparent inpaints visible though the varnish does fluoresce green.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

We are grateful to Lino Moretti for attributing this paiting to the artist based on photographs. A similar work by Grassi, Rachel at the Well, can be found in the Parish Church of Sezza de Zugilo, Udine, Italy.