Studio of Giovanni Paolo Panini

The canvas has been recently relined, which has resulted in a flattened paint surface. The sky and clouds have dirtied but should respond well to cleaning. Inspection under ultraviolet light reveals an even varnish and retouching throughout the clouds and sky, to both the paint surface and to craqulure. The architecture and figures are largely free if retoching and are in good condition. The work is offered in a gilt wood carved frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This composition derives from a painting by Panini in a Roman private collection. Here though, the Temple of Janus is replaced with the Basilica of Maxentius and the Farnese Hercules with the statue of a female goddess.¹

1. F. Arisi, Gian Paolo Panini, Rome 1986, p. 411, cat. no. 361, reproduced.