Lot 44
  • 44

Cesare Rossetti

Estimate
3,000 - 4,000 GBP
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Description

  • Cesare Rossetti
  • The Last Supper
  • Pen and brown ink and wash, heightened with white, on reddish washed paper, oval;
    bears inscription, verso: Mauro Oddi / La Cene / Vente Kaieman 1859 / Collection Sir J. Reynolds

Provenance

Sir Joshua Reynolds (L.2364);
D. Kaïeman, Brussels,
his sale, Paris, 27 April 1858, lot 91 (as Girolamo Marchesi);
Abbé Thuliez (L.2395b);
sale, New York, Christie's, 24 January 2001, lot 26 (as Roman School, late 16th Century)

Condition

Hinge mounted. There is a small loss to the upper right edge of the sheet and a small tear to the lower right section. There is an old horizontal fold mark across the centre of the sheet and some light abrasions to the sheet's extremities. There is an old tear to the upper section of the sheet and a small pin prick hole to the left edge. The white heightening has partially oxidised in places. The pen and ink medium is still strong throughout.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This is by the same hand as a drawing in the British Museum, Christ at the Column, which was formerly attributed to Giovanni Baglione but subsequently catalogued by Nicholas Turner as attributed to Cesare Rossetti.1  Another in the British Museum, attributed to Rossetti by Gere and Pouncey, is also stylistically close to the present work, although it is executed in red and black chalk.2  

According to the biographer Baglione, Rossetti, who was probably born around 1565, started his career in the pontificate of Sixtus V (1585-90) and his drawings show the influence of Cavalier d'Arpino.  Gere and Pouncey mention two scenes of martyrdom by Rossetti in the chapel of St. Barbara in S. Maria in Traspontina, Rome, perhaps based on designs by Arpino, and Rossetti also executed mosaics after Arpino's designs in the Vatican.3

For a further discussion of Rossetti and his graphic oeuvre, see S. Bolzoni, 'Cesare Rossetti, "amico" del Cavalier d'Arpino: un nuovo dipinto e alcune osservazioni sull'opera grafica', Storia dell'arte, vol. 136, 2013, pp. 46-64, catalogue no. 36.

1.  N. Turner, Italian Drawings in the ...British Museum, Roman Baroque Drawings, c.1620 to c.1700, London 1999, vol. I, p. 229, no. 363, reproduced vol. II, pl. 363
2.  J.A. Gere and P. Pouncey, Italian Drawings in the ...British Museum, Artists working in Rome, c.1550 to c.1640, London 1983, vol. I, p. 160, no. 260, reproduced vol. II, pl. 247
3.  Ibid.