Lot 204
  • 204

Adrian Zingg

Estimate
5,000 - 7,000 GBP
Log in to view results
bidding is closed

Description

  • Adrian Zingg
  • Dresden from the banks of the Elbe River
  • Pen and black ink and grey wash;
    signed and dated, lower right: Zingg fec. 1772.

Condition

Laid down on card. There is some slight discolouration to the four edges of the sheet most probably due to an old mount. Otherwise the sheet is in very fine condition with the medium fresh throughout. Sold in a modern wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Adrian Zingg studied with Johann Ludwig Aberli in Bern and Johann Georg Wille in Paris, before moving to Dresden in 1766. Together with his fellow Swiss, the portrait painter Anton Graff, he discovered and hiked in the Saxon and Bohemian landscape, documenting the varied sights along the way in a sketchbook dated to 1766 and now housed in Dresden.1

The present work, a view of Dresden from the banks of the Elbe River, is very close in composition and viewpoint to a watercolour of the same subject by Zingg, previously in the collection of Wolfgang Ratjen and now in the National Gallery of Art, Washington.2

1. P. Kuhlmann-Hodick et al, Adrian Zingg. Wegbereiter der Romantik, exhib.cat., Dresden, Staatliche Kunstsammlungen, 2010, pp. 40-59
2. Inv. no. 2007.111.185