- 222
A Chinese carpet
Description
- wool pile
- approximately 341 by 310cm; 11ft. 2in. by 10ft. 2in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
For discussion of the influential designs of the early carpets, and an example of an important early carpet with the dragon and fretwork combination, trellis spandrels and central medallion and incorporation of a ‘swastika’ border, attributed to Kangxi period (1662-1722), Wher Collection, Lugano, see Frances, Michael, Early Ningshia carpets, Hali, op.cit., pp.132-140, fig. 11.
For an early Ningshia carpet, West China, 17th century (330 by 168cm) with an overall lotus and trellis design, with trellis spandrels and highly stylised central dragon and fretwork medallion, within a fretwork and entwining foliate trail see Sotheby’s, London, 21st April 1999, lot 155, Property of Collezione Almagià. As part of a group of Chinese carpets in the Thyssen Collection, see Spuhler, Friedrich, The Thyssen-Bornemisza Collection: Carpets and Textiles, London, 1988, Chinese Carpets, No.60, pp.214-215, there is Chinese carpet which shows the influence of the combination of design motifs, with the use of the fretwork border and a scrolling flowering trail border, together with a central cloud collar medallion enclosing animals and cloudbands, and floral spandrels, vases of flowers centre of two sides, and other small scattered 'hundred antique' symbols. Similarly to the present lot it has a brown border, which was used on earlier and later pieces in the classical style. It is interesting to note that Sphuler notes that when there is a combination of prototype compositions (and historic design elements) and masterful dyeing it can be very difficult to pinpoint a date.