Lot 270
  • 270

Paganini, Niccolò

Estimate
4,000 - 6,000 GBP
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Description

  • Paganini, Niccolò
  • 24 Capricci, per violin solo Composti e dedicati agli artisti...Op.1a, Milan: G. Ricordi, [1820]
  • paper
first edition, 4to (c.33 x 23.5cm), 46 pages (pp.13, 31, 35 & 39 are blank),  engraved throughout, plate no. 403, a good early impression with few cracks to the plates, modern quarter morocco, small ownership stamp to title, repairs to tears on first leaf and to small tear on second leaf, hinges renewed

Literature

Fuld, p.455.

Condition

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Rare;  we have not seen a copy of Paganini's epoch-making classic of violin playing at auction for fifteen years.  The composer proudly announces the new era of the virtuoso on his title page,"Dedicati Agli ARTISTI"; that is, his work is explicitly aimed at professional virtuosos rather than amateur musicians.  Paganini's Caprices became the inspiration for a new era in instrumental virtuosity in general, and provided well-known themes for many works modelled on them, including by Schumann (1831), Liszt (1851), Brahms (1863), Szymanowski (1918), Rachmaninov (1934), Lutoslawski (1941) and Lloyd Webber (1977).