- 277
Yuree Kensaku
Estimate
70,000 - 90,000 HKD
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Description
- Yuree Kensaku
- Baby Don't Cry
- Acrylic, oil, collage, koala dolls, picture frame, saw, wood panels, sticker, paperboard and rubber cattle
Provenance
Private Collection, Singapore
Exhibited
Bangkok, 100 Tonson Gallery, Sweet with Mr. Fan: Yuree Kensaku, 2 July - 23 August, 2009
Literature
Yuree Kensaku, Sweet with Mr. Fan: Yuree Kensaku, Pluss Press Co., Ltd, 100 Tonson Gallery, Bangkok, 2009, colorplate
Condition
This work is in very good overall condition as viewed. The canvas is unframed, on a stretcher.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
“When people come to see my work I feel like they draw from their personal experiences to interpret them in their own way. It might not be exactly in line with what I intended to express. The images and the titles I give them are like little guides to what the pieces may mean but it’s not always obvious.”
– Yuree Kensaku, Interview with Bangkok, Asia City, Feb 2006