Lot 227
  • 227

Yunizar

Estimate
140,000 - 220,000 HKD
bidding is closed

Description

  • Yunizar
  • The Letter Without Meaning
  • Signed and dated 2004; inscribed on the reverse
  • Acrylic on canvas
  • 195 by 150 cm.; 76 3/4 by 59 in.

Provenance

Christie's Hong Kong May 29 2005, Lot 96
Private Collection, Hong Kong

Condition

The work is in excellent condition as viewed. The canvas is clear and taut. There is evidence of minor wear and handling around the edges of the work but does not detract from the overall quality of the work. Any inconsistency is due to the artist's working method. Examination under ultraviolet light shows no sign of restoration. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"Yunizar does not appear to want to build a narrative of symbolic forms so as to communicate his view and experience of life and the world. He is not plotting to build a sign system to communicate an unambiguous message and meaning. Instead, he merely wants to share feelings and emotions; to welcome us to feel the clamors of the would and the ever moving, impulsive and creative life force. His paintings offer a space where we can feel these emotions. It seems to me that Yunizar is simple occupied by his need to transmute forms and figures, to smelt and shatter them; and to change texts not into meaning, but into textures".

- Ahmad Mashadi cited in Coretan: Recent works by Yunizar, Gajah Gallery, 2007, P.12