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Set of four rectangular stools, Huanghuali wood Late Ming (1573 –1644)
Description
Exhibited
Singapore, 1997 – 1999, Asian Civilisations Museum, "The Chinese Collection"
London, 1999, Institute of Contemporary Art, "Grace Wu Bruce presents Ming Furniture from the Collection of Dr. S. Y. Yip"
Hong Kong, 2012, Hong Kong Convention and Exhibition Centre, "Grace Wu Bruce presents a choice selection of Ming Furniture from the Dr S Y Yip collections"
Literature
Grace Wu Bruce, Grace Wu Bruce presents a choice selection of Ming Furniture from the Dr. S. Y. Yip collections, Hong Kong, 2012, pp. 18 – 19
Grace Wu Bruce, Ming Furniture Through My Eyes, The Forbidden City Publishing House, Beijing, 2015, p. 157
Catalogue Note
Chen Zengbi, Zhongyang Gongyi Meishu Xueyuan Yuancang: Zhenpin Tulu, dier ji, Mingshi Jiaju, (Central Academy of Arts and Crafts: Illustrations of collections, volume 2, Ming Furniture), Top-Notch Publication Co., Hong Kong, 1994, no. 5 for a similar piece
Stools are seats without backs. Surviving examples of stools made in the late Ming and early Qing period come in a variety of styles, mostly with great similarity to table designs of the same period. This set of stools with a recessed waist, hump-back shaped stretcher and hoof feet is identical to that of a classic banzhuo table.
The ranking of seats in the Ming period was hierarchical with chairs being deemed more important seats reserved for the master of the house and senior guests. Formal occasions would also call for the usage of chairs while stools were used in more relaxed gatherings.
This classic design is typical of Ming period stools. Stools were made in sets and pairs but easily became separated over time so extant examples of huanghuali stools in a set of four is quite precious.
Standard in design, this set of four stools with excellent proportions, exemplify the undecorated stream of Chinese hardwood furniture at its best. The lines are pure and elegant, the form simple and restrained.