- 31
Armando Reverón (1889-1954)
Estimate
100,000 - 150,000 USD
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Description
- Armando Reverón
- Autorretrato con sombrero pumpá
- signed and dated 48 lower right
- charcoal, white chalk and pastel on paper
- 24 7/8 by 32 3/4 in.
- 63 by 83 cm
Provenance
Roberto Lucca, Caracas
Private Collection, Caracas
Sale: Christie's, New York, Important Latin American Paintings, Drawings, Sculpture and Prints, May 18, 1994, lot 13, illustrated in color
Private Collection, Monterrey, Mexico
Private Collection, Caracas
Sale: Christie's, New York, Important Latin American Paintings, Drawings, Sculpture and Prints, May 18, 1994, lot 13, illustrated in color
Private Collection, Monterrey, Mexico
Exhibited
Caracas, Centro Venezolano Americano, Armando Reverón: Pinturas, November 23-December 10, 1951, no. 47
Caracas, Museo de Bellas Artes, Exposición Restrospectiva de Armando Reverón, July 1955, no. 259, illustrated
Caracas, Museo de Arte Contemporáneo de Caracas, Obras Maestras de Armando Reverón, August 1979, no. 69, illustrated
Caracas, Sala de Exposiciones de la Gobernación. Reverón y sus dibujos, September 1979, no. 19
Coro, Museo de Arte Coro, Reverón: Retratos, figuras y paisajes del pintor de la luz, July 1989, no. 52
Caracas, Museo de Bellas Artes, Exposición Restrospectiva de Armando Reverón, July 1955, no. 259, illustrated
Caracas, Museo de Arte Contemporáneo de Caracas, Obras Maestras de Armando Reverón, August 1979, no. 69, illustrated
Caracas, Sala de Exposiciones de la Gobernación. Reverón y sus dibujos, September 1979, no. 19
Coro, Museo de Arte Coro, Reverón: Retratos, figuras y paisajes del pintor de la luz, July 1989, no. 52
Literature
Alfredo Boulton, Reverón, Caracas, 1979, p. 179 illustrated
Juan Calzadilla, Armando Reverón, Caracas, 1979, p. 407, illustrated Gastón Diehl, et al. Reverón 18 Testimonios, Caracas, 1979, p. 51, illustrated
John Elderfield, María Elena Huizi, and Luis Enrique Pérez Oramas, El lugar de los objetos, Caracas, 2001, no. 12, illustrated in color
Alfredo Boulton, and María Elena Huizi, Armando Reverón: La exposición de 1955, Caracas, 2007, p. 101 illustrated in color
Juan Calzadilla, Armando Reverón, Caracas, 1979, p. 407, illustrated Gastón Diehl, et al. Reverón 18 Testimonios, Caracas, 1979, p. 51, illustrated
John Elderfield, María Elena Huizi, and Luis Enrique Pérez Oramas, El lugar de los objetos, Caracas, 2001, no. 12, illustrated in color
Alfredo Boulton, and María Elena Huizi, Armando Reverón: La exposición de 1955, Caracas, 2007, p. 101 illustrated in color
Condition
The sheet has been glued to the mat along the edges and presents some minor warping. Otherwise in very good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.