A RARE LEMON-YELLOW CUP MARK AND PERIOD OF YONGZHENG

finely potted with deep rounded sides resting on a short straight foot, the exterior applied with a brilliant lemon-yellow glaze, the recessed base inscribed in underglaze blue with a six-character reign mark within a double-square

The overall condition is very good, except for a very faint hairline of approx. 1 cm to the mouthrim, which is visible only under magnifying glass or UV light. The actual object is of a slightly warmer tone than the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Yongzheng porcelain cups of this small size represent one of the most technically challenging porcelains to be produced. They required absolute precision in potting, glazing and firing, as the smallest imperfection resulted in the destruction of the piece. Amongst all the different monochrome glazes, yellow is the only colour that has direct Imperial association. Although imperial yellow-glazed wares had been produced from the early Ming dynasty, they were used exclusively for ritual ceremonies; thus lemon-yellow vessels provided the court with an alternative for daily use. The yellow glaze was derived from an antimoniate oxide and the lemon-yellow glaze was a Yongzheng innovation achieved when the antimoniate of iron was combined with tin oxide resulting in an opaque yellow glaze of brilliant hue.

For a closely related example, see a Yongzheng cup from the collection of Dr. Ip Yee, sold in these rooms, 19th November 1984, lot 218, and included in the Min Chiu Society exhibition An Anthology of Chinese Ceramics, Hong Kong Museum of Art, Hong Kong, 1980, cat. no. 128. Compare also another pair in the Museum of Far Eastern Antiquities, Stockholm, illustrated by Jan Wirgin, Chinese Ceramics from the Axel and Nora Lundgren Bequest, Stockholm, 1978, pl. 79.