- 3644
A FINE AND RARE BLUE AND WHITE CHENGHUA-STYLE 'LANDSCAPE' BOWL MARK AND PERIOD OF KANGXI
Description
- porcelain
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Notable for its delicate depiction of figures in a landscape, bowls decorated with this design are rare. Kangxi bowls of this Chenghua-inspired type are more commonly found painted with a scene of a meiren or boys at play. See a shallow bowl, the form also inspired by 15th century porcelain, decorated with a scene of ladies in a terraced garden, with a Kangxi mark and of the period, in the Palace Museum, published in Chen Runmin, Qing Shunzhi Kangxi qiao qinghua ci, Beijing, 2005, pl. 127. A slightly smaller Chenghua bowl of this form, decorated with a lady in a pavilion within a garden, with a Chenghua mark and of the period, was included in the exhibition The Emperor’s Broken china. Reconstructing Chenghua Porcelain, Sotheby’s, London, 1995, cat. no. 58.
Chenghua bowls of this type were inspired by Xuande prototypes which were also reproduced in the Qing dynasty, for example see a bowl painted with Xi Wangmu riding a crane within a mountainous and cloudy landscape, with an apocryphal Xuande mark, sold in these rooms, 20th May 1981, lot 733, and published in The Leshantang Collection of Chinese Porcelain, Taipei, 2005, pl. 27; and its 15th century original, in the National Palace Museum, included in the Museum’s Special Exhibition of Selected Hsuan Te Porcelains of the Ming Dynasty, Taipei, 1998, cat. no. 148.
The scene adorning the exterior of this bowl, with the three scholars in a landscape with two attendants, is cleverly echoed in the medallion in the interior which depicts the three friends of winter. Scholars in a landscape evoked well-known historical figures, such as the Song dynasty poet Lin Hejing, who abandoned official life in the city and retired to live in the tranquillity of the country. The two young attendants juxtaposed with the scholars suggest the passing on of knowledge while the three trees represent ideal traits of a scholar: the pine symbolises nobility and venerability, bamboo that of resilience and the plantain tree for education.