A YELLOW OVERLAY TURQUOISE GLASS VASE QING DYNASTY, 18TH / 19TH CENTURY

deeply carved through the bright yellow to an opaque turquoise ground, the globular body decorated with a continuous scene depicting a pheasant perched on a rocky boulder, the rockwork extending to slender branches issuing camellia, peony and narcissus blooms and their associate foliage, the leafy stems extending to the cylindrical neck, all resting on a slightly flared foot, the base with a four-character Qianlong mark within a double-square

There are three small losses and minor nibbling to the carving, the largest to the tip of the flower petal. Otherwise the vase is generally in good condition overall. There is characteristic pitting and black speckling.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present vase is unusual for the combination of turquoise and overlay yellow which creates a striking contrasting effect.  It also belongs to the group of globular vases which are normally made in monochrome colours, and which are very rarely seen in overlay decoration.       

Compare a related glass vases with overlay in which the decoration extends from the body to neck, from the Alan Feen collection, illustrated in A Chorus of Colors. Chinese Art from Three American Collections, Asian Art Museum of San Francisco, Hong Kong, 1995, pl. 94. See also a pair of vases with the same unusual colour combination, but without the Qianlong mark, sold at Christie's London, 28th April 2003, lot 714.