Lot 2811
  • 2811

Liu Dan

Estimate
2,500,000 - 3,500,000 HKD
Log in to view results
bidding is closed

Description

  • Liu Dan
  • Floating Cloud
  • ink on paper
signed LIU DAN, titled, dated 2004 and with one seal of the artist

Provenance

Jiansongge Collection
Private Asian Collection

Literature

Selected Objects of Scholarly Admiration / Liu Dan, Jeff Hsu's Art, Taiwan, 2005, unpaginated.

Condition

Overall in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Liu Dan is one of the most accomplished contemporary painters in ink today. Formally trained in the classical tradition, Liu has produced an exhilarating legacy of physical grandeur and spiritual immensity in the last three decades. Painstakingly conceived and serenely self-contained, Liu's paintings embody a formal aesthetic reminiscent of both classical Greek sculpture and the finest traditional Chinese landscapes. 


Floating Clouds epitomizes the transcendent universe of Liu Dan and is a timeless tribute to traditional Chinese culture, philosophy, and the spiritual practice of rock contemplation. When painting a stone, he views his task as that of a portraitist.  His challenge is to uncover the essence of the object – its history, provenance and spirit. Each portrait of the stone reveals the inherently abstract nature of the stone itself. Admired in China for their strange and otherworldly qualities, scholar's rocks are perceived as complex and elegant with patterns and textures that create an enticing surface. They are appreciated as a representation of the larger natural world and as part of the greater the cosmic universe. In a similar manner, Liu's paintings are less a representation of the depicted object but a meditation on the artist's experience of engagement.