- 424
Richard Serra
Estimate
180,000 - 250,000 USD
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Description
- Richard Serra
- Stratum 2
- paintstick on paper
- 39 1/2 by 39 3/4 in. 100.3 by 101 cm.
- Executed in 2007.
Provenance
Gagosian Gallery, New York
Acquired by the present owner from the above in 2007
Acquired by the present owner from the above in 2007
Condition
This work is in excellent condition overall. The edges of the sheet are deckled. The surface is richly textured and unevenly spread throughout the composition. There are no apparent condition issues with this work. The sheet is mounted to canvas board and framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"I was using paint with a certain disdain, with the attitude that any material was as good as any other material. And once you find that you’re not using paint for its illusionistic capabilities or its color refraction but as a material that happens to be “red,” you can use any material as equally relevant." Richard Serra