Lot 175
  • 175

Roy Lichtenstein

Estimate
25,000 - 35,000 GBP
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Description

  • Roy Lichtenstein
  • Study for Modern Painting with Small Bolt
  • signed, dated 12/16/67 and dedicated to Tonino Guerra
  • pencil on paper
  • 15.2 by 17.2cm.; 6 by 6 7/8 in.

Provenance

Tonino Guerra, Santarcangelo di Romagna
Private Collection, Italy
Acquired directly from the above by the present owner

Condition

Colours: The colours in the catalogue illustration are fairly accurate, although the overall tonality is warmer in the original. Condition: This work is in very good condition. The sheet is hinged verso to the backing mount in two places along the upper edge. The upper edge of the sheet is irregularly cut. Close inspection reveals artist's handling marks and some small and unobtrusive creases which are likely to be original. There are some signs of light discolouration along the upper edge.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Executed in 1967, Roy Lichtenstein’s Study for Modern Painting with Small Bolt is a preparatory work for the canvas of the same year and same name. The study was dedicated to Tonino Guerra, the Italian poet and screenwriter behind iconic films such as Blow Up (1966) or Amarcord (1973), and remained in the writer’s family collection for decades before being acquired by the present owner. The present work is part of the artist’s iconic series of ‘Modern Paintings’, inspired in Art Deco and started in 1966 as a commission to design the poster for the Film Festival at the Philarmonic Hall in New York. Here, lines cross and turn, elegantly imbuing the drawing with a sense of vigour and urgency. The end result is a vibrant yet delicate composition, a timeless illustration from one of the greatest artists of the twentieth century.