Lot 143
  • 143

Kenneth Noland

Estimate
40,000 - 60,000 GBP
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Description

  • Kenneth Noland
  • White Heat
  • signed, titled and dated 1969-04 on the reverse
  • acrylic on canvas
  • 63.8 by 315.6cm.; 25 1/8 by 124 3/8 in.

Provenance

Ameringer Yohe Fine Art, New York
Almine Rech Gallery, Brussels
Acquired directly from the above by the present owner in 2006

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly warmer in the original. Condition: This work is in very good condition. There is a minute and unobtrusive media accretion to the central band approximately 80cm. from the left edge. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

“These paintings… are the payoff… No graphs; no systems; no modules. No shaped canvases. Above all, no thingness, no objectness. The thing is to get that color down on the thinnest conceivable surface, a surface sliced into the air as if by a razor. It’s all color and surface, that’s all.”

KENNETH NOLAND
quoted in: Exhibition Catalogue, New York, Guggenheim Foundation, Kenneth Noland: A Retrospective, 1977, p. 33

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