于非闇 (1889-1959) 伊洛傳芳

款識：
伊洛傳芳。
明如點漆，黑擬松煤者，曰油紅；澤若佛頭，色同古碧者，曰綠華，均出洛邑。范石湖題徐熙〈風牡丹〉詩云：天半罡風如箭激，綠綃飄蕩紫綃寒。今年東風疾，花半毀，因製此圖。宋南渡後，禁苑植牡丹，扁曰「伊洛傳芳」，並記於此。
戊寅浴佛日，用乾隆庫楮御墨。非闇。

鈐印：「戊寅」、「于照之印」、「一字非闇」、「非闇五十歲作」。

〈雕青嵌綠．清逸絶倫 ─ 一代花鳥大師于非闇〉，刊於〈大觀〉月刊第七期（台北，雅墨文化事業有限公司，二○一○年四月），頁33
〈中國近現代繪畫叢刊 ─ 于非闇〉（台北，雅墨文化事業有限公司，二○一○年十二月），圖版19
〈絶代只西子．眾芳唯牡丹 ─ 牡丹文化淺析〉，刊於〈大觀〉月刊第四十三期（台北，雅墨文化事業有限公司，二○一三年四月），頁48

-Paper creases can be found on the painting. Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：本幅取宋人范石湖詩意，寫牡丹中油紅、綠華兩品種風中搖曳之姿。畫中見枝舞翻袖，葉妝展眉，花底石竹亦呈擺蘯，蛺蝶一雙逆風而飛，夾翅不得舒展，襯出入春時仍帶料峭寒意，見「箭激罡風」之狀。對照本幅寫於五月初，正京城易起大風之季，想必確是東風尚疾，毀花無數，引得畫家心生惜憐而迻錄其貌於畫中。

于氏作畫選用材料、顏料極盡講究，畫墨紫牡丹以自藏舊洋紅，配以御墨，得沉著絲絨般色澤；綠華一朵，瓣有斑駁，可見石青之下以石綠作底，相互襯托，益顯鮮明，每種顏色亦是由淺而深，方得潔淨而厚重。本幅帶寫生之意，但諸多細節仍保留兩宋緙絲裝飾之美。于氏極為推崇朱克柔、沈子蕃緙絲，以其優美婉麗，存唐人藝術渾厚而不失自然之趣。油紅一朵，雌蕊畫以石綠，雄蕊極規則地環列四周，取藤黃、石青、硃砂、胭脂，細細上色，復施金勒雌蕊，如此畫來無造作之弊，衹覺古雅貼切；綠華一蕊，同出此法，稍作變化矣。四十年代以後，畫家筆下牡丹之花蕊，則寫生多於古意了。