- 76
Kay Sage
bidding is closed
Description
- Kay Sage
- I Walk Without Echo
- Signed Kay Sage and dated '40 (lower left); titled, dated 1940, signed Kay Sage and inscribed 69 Washington Place N.Y.C. (on the stretcher)
- Oil on canvas
- 25 1/4 by 21 1/8 in.
Provenance
The artist
Pierre Matisse Gallery, New York (acquired from the above in 1940)
Mr. & Mrs. Hugh J. Chisholm, Jr., Hillsborough, California (acquired from the above in 1940)
Mattatuck Museum, Waterbury, Connecticut (a gift of the above in 1966)
Hirschl & Adler Galleries, New York
Acquired from the above
Pierre Matisse Gallery, New York (acquired from the above in 1940)
Mr. & Mrs. Hugh J. Chisholm, Jr., Hillsborough, California (acquired from the above in 1940)
Mattatuck Museum, Waterbury, Connecticut (a gift of the above in 1966)
Hirschl & Adler Galleries, New York
Acquired from the above
Exhibited
Pierre Matisse Gallery, New York, Kay Sage: Paintings, 1940, no. 2
Catherine Viviano Gallery, New York, Kay Sage Retrospective Exhibition, 1937–1958, 1960, no. 9, illustrated in the catalogue
Mattatuck Museum, Waterbury, Connecticut & traveling, A Tribute To Kay Sage, 1965-66, no. 15
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, Kay Sage, 1898–1963, 1977, no. 16
Mattatuck Museum, Waterbury, Connecticut, I Walk Without Echo: The Kay Sage Collection, 2007
Eugene, Oregon, Jordan Schnitzer Museum of Art, University of Oregon, Masterworks on Loan, 2014
Catherine Viviano Gallery, New York, Kay Sage Retrospective Exhibition, 1937–1958, 1960, no. 9, illustrated in the catalogue
Mattatuck Museum, Waterbury, Connecticut & traveling, A Tribute To Kay Sage, 1965-66, no. 15
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, Kay Sage, 1898–1963, 1977, no. 16
Mattatuck Museum, Waterbury, Connecticut, I Walk Without Echo: The Kay Sage Collection, 2007
Eugene, Oregon, Jordan Schnitzer Museum of Art, University of Oregon, Masterworks on Loan, 2014
Literature
Edward Alden Jewell, "Diversified Show of Art Are Opened. Washington Artists Hang Their Work at Bignou Gallery" in New York Times, June 4, 1940, p. 21
Stephen Robeson Miller, Kay Sage (1898–1963): Catalogue Raisonné, 1983 (unpublished), no. 35
Judith D. Suther, A House of Her Own: Kay Sage, Solitary Surrealist, Lincoln: Nebraska University Press, 1997
Stephen Robeson Miller, Kay Sage (1898–1963): Catalogue Raisonné, 1983 (unpublished), no. 35
Judith D. Suther, A House of Her Own: Kay Sage, Solitary Surrealist, Lincoln: Nebraska University Press, 1997
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.