- 121
A fine large Qur'an, copied by Zayn al-'Abidin Mahallati, illuminated by Haji Mirza Muhammad Taqi mudhahhib-bashi Shirazi, Persia, Qajar, dated 1308 AH/1890 AD
Description
- manuscript on polished paper, ink, gold, lacquer binding
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
An interesting element of this manuscript is the inclusion, before the beginning of the Qur'an, of a text called risaleh-ye diya’ al-'uyun by an unidentified author. He is mentioned as the son of Nizam al-Din Muhammad Hadi (titled Shah Mirza and called Mirza Mahdi Khan Safavi). The colophon of this text also mentions its patron, a merchant (tajir) by the name of Aqa Samad of Shirvan, the copyist Yusuf Ibn Nur al-Din al-Husayni al-Nayrizi al-Shirazi (also unidentified) and the date, dhi-hijjah (sic) 1315 AH/1898 AD. Aqa Samad was a merchant from Shirvan who lived in Rasht, built a mosque there, and made numerous endowments to it.
the scribe
Despite numerous recorded work by Zayn al-'Abidin al-Mahallati, little is known about his life, other than that he came from a family of theologians. After his initial education he went to Isfahan and was trained by the known naskh calligrapher of the time Zayn al-'Abidin Isfahani ashraf al-kuttab ('most noble of scribes'). He later moved to Tehran where he copied many manuscripts and taught the art of calligraphy to numerous pupils.
However, from the colophons of his recorded works, which are all in naskh and riqa’, it is understood that he was a son of Muhammad 'Ali Mahallati, who worked mainly in Tehran producing copies of the Qur'an and religious texts mainly commissioned for Muzaffar al-Din Shah, including a copy of the 'Twelve Imams of Khwajah Nasir' in 1317 AH/1899. His recorded works, which also include an inscription in the Imamzadeh Yahya in Tehran, are dated between 1853 and 1909 (see M.Bayani, ahval va athar-e khosh-navisan, nasta’liq navisan, vol.4, 1358 sh, pp.67-8).
The scribe of the marginal commentaries in shikastah nasta’liq script is named as Mirza ‘Ali Muhammad Khan, the registrar (nazim) of the chancellery office, although he is unrecorded.
the illuminator
Haji Mirza Muhammad Taqi mudhahhib-bashi Shirazi was honoured with the title mudhahhib-bashi ('chief illuminator') by both Nasir al-Din Shah and Muzaffar al-Din Shah and described in the athar-e 'ajam by Fursat al-Dawlah Shirazi, who knew him well in Shiraz, as the master over all others. In his view, the art of illumination was connected with geometry as well as perspective, making it a science, indicating that Muhammad Taqi had knowledge of both. His best work is described as the work sold in these rooms, 15 April 1985, lot 117 (see M.A. Karimzadeh Tabrizi, The Lives & Art of Old Painters of Iran, vol. 2, London, 1990, p.674).