- 114
Emile Gilioli
Estimate
6,000 - 8,000 EUR
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Description
- Emile Gilioli
- La Halle aux vins
- signé, numéroté 1/6 et porte le cachet du fondeur Susse Fondeur Paris
- bronze
- 50 x 50 x 42 cm; 19 11/16 x 19 11/16 x 16 1/2 in.
- Exécutée en 1946, cette oeuvre est le numéro 1 d'une édition de 6 exemplaires.
Provenance
Atelier de l'artiste
Collection particulière, France
Collection particulière, France
Exhibited
Paris, Musée National d'Art Moderne, Centre Pompidou, Sculptures de Gilioli, 6 juin - 3 septembre 1979; catalogue, p.12, illustré (exemplaire en marbre)
Kongens Lyngby, Kunstforening, 1980 (exemplaire en marbre)
Mantou, Museo Civico di Palazzo Te, Emile Gilioli, 1985; catalogue, p.28, illustré (autre exemplaire)
Kongens Lyngby, Kunstforening, 1980 (exemplaire en marbre)
Mantou, Museo Civico di Palazzo Te, Emile Gilioli, 1985; catalogue, p.28, illustré (autre exemplaire)
Literature
Léon Degand, Art d'aujourd'hui, 1953, illustré (exemplaire en marbre)
Pierre Joly, Jardins des Arts. N° 92-93, juillet - août 1962 (exemplaire en marbre)
Georges Boudaille, Cimaise, novembre - décembre 1963, illustré (exemplaire en marbre)
Ionel Jianou et Hélène Lassalle, Gilioli, Paris, 1971, p.62, illustré (exemplaire en marbre)
Jean-Marc Dunoyer, Le Monde, 21 janvier 1977, illustré (exemplaire en marbre)
Giovanni Carandente, Gilioli, Milan, 1980, p.135, illustré (exemplaire en marbre)
Edina Bernard, Les Hauts lieux de l'art moderne en France, 1991, p.164, illustré (exemplaire en marbre)
Pierre Joly, Jardins des Arts. N° 92-93, juillet - août 1962 (exemplaire en marbre)
Georges Boudaille, Cimaise, novembre - décembre 1963, illustré (exemplaire en marbre)
Ionel Jianou et Hélène Lassalle, Gilioli, Paris, 1971, p.62, illustré (exemplaire en marbre)
Jean-Marc Dunoyer, Le Monde, 21 janvier 1977, illustré (exemplaire en marbre)
Giovanni Carandente, Gilioli, Milan, 1980, p.135, illustré (exemplaire en marbre)
Edina Bernard, Les Hauts lieux de l'art moderne en France, 1991, p.164, illustré (exemplaire en marbre)
Condition
One scratch located on the top is visible under close inspection. Aside from some wears and marks, especially located along the rim, this work is in very good original condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."