- 122
Guy Carleton Wiggins
Estimate
8,000 - 12,000 USD
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Description
- Guy Carleton Wiggins
- The Waterfront, Gloucester
- signed Guy C. Wiggins (lower left); titled The Waterfront, Gloucester (on the reverse)
- oil on canvasboard
- 11 3/4 by 7 7/8 inches
- (29.8 by 20 cm)
Provenance
Mr. and Mrs. George Isaac Howe, Portland, Oregon
By descent in the family of the above to the present owner
By descent in the family of the above to the present owner
Condition
Generally in good condition. Under ultraviolet light: a few spots of inpainting to address frame abrasion as well as horizontal dots and dashes at areas in ships' rigging and a vertical line at lower left edge.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This work has been authenticated by Guy Arthur Wiggins. A letter of authenticity, dated 23 February 2015, accompanies the lot.