- 30
Pietro Franchi, After Charles-Auguste Fraikin (1817-1893)
Estimate
12,000 - 15,000 GBP
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Description
- Pietro Franchi
- Venus and Cupid
- signed indistinctly: P. Franchi Sc / Carrara
- white marble, on a veined white marble column with a revolving top
- After Charles-Auguste Fraikin (1817-1893)
Condition
Overall the condition of the marble is good with minor wear to the surface consistent with age. The little finger on Venus' proper right hand is restored and two of the other fingers are reattached. The tips of two of the toes on Venus' proper right foot are lost, and two other toes are reattached. There is some minor veining to the marble, including to Venus' proper right shoulder. There are a few minor naturally occurring inclusions in the marble. There are a few minor abraisons to the marble, including to Venus' proper left leg. There are some chips to the edges of the base.
The column is in two sections and has a revolving top. There is some dirt to the column. There are a few chips to the edges of the grey marble column.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Charles-Auguste Fraikin studied at the Brussels Académie Royale des Beaux-Arts under Louis Jéhotte. His masterpiece, L'Amour Captif, won the gold medal at the Exposition Nationale des Beaux-Arts, Brussels in 1845. It was subsequently exhibited in London (1851) and Dublin (1853). Two marble versions were ordered for the Musée Royaux des Beaux-Arts, Brussels, and the Hermitage, St. Petersburg. The lissom L'Amour Captif exemplifies Fraikin's graceful interpretation of Neo-classicism. The model proved to be extremely popular and was copied by sculptors across Europe.
Pietro Franchi worked in Carrara around 1870 and specialised in creating marble copies of famous contemporary statues.
RELATED LITERATURE
J. van Lennep, De 19de eeuwse Belgische beeldhouwkunst, Brussels, 1990, p.175
Pietro Franchi worked in Carrara around 1870 and specialised in creating marble copies of famous contemporary statues.
RELATED LITERATURE
J. van Lennep, De 19de eeuwse Belgische beeldhouwkunst, Brussels, 1990, p.175