Isabelle Roussadana Mdivani

Overall the condition of the bronze is very good, with minor dirt and wear to the surface consistent with age. There is minor rubbing to the patina at some of the high points. There are a few dirt marks, including to one of the men's proper left arm and armpit. There are a few scratches, including to the wings. There is a reddish mark to the signature. The wood base is in good condition, with some stable splitting to the wood consistent with the material, notably an open split running vertically down one side. There is further wear and dirt to the base, including various nicks and chips, and several small specks of dirt.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Isabelle Roussadana Mdivani hailed from a Georgian noble family and made a name as a modernist sculptress in the upper echelons of European society in the 1920s and 30s. Lovingly known as Roussy, the young artist spent several years in Paris in the circle of Coco Chanel, Sergei Diaghilev, and Misia Godebska.