Paul François Berthoud

Overall the condition of the plaster is good, with minor dirt and wear to the surface consistent with age. There are a few lacunae, consistent with casting. The band below the hat on the proper right side appears to have been reattached, and the joints are slightly visible. There are a few chips to the paint, including to the collar at the front. There is further wear to the paint at the high points. There are several small nicks, in particular to the shoulders. A few pieces of felt are glued to the bottom edge.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Berthoud produced a series of busts of the actress Sarah Bernhardt, the darling of the European Art Nouveau movement, in several guises. A gilt bust from the series is in the Arwas collection and is illustrated in V. Arwas, Art Nouveau. The French Aesthetic, London, 2002, pp. 154-155.