Charles Raphael Peyre

Sir Dhunjibhoy Bomanji, Kt. and Lady Bomanji, The Willows, Windsor, and subsequently at Pineheath House, Harrogate;
thence by family descent;
Christie's London, 6 March 2014, lot 221;
there acquired by the present owners

Overall the condition of the marble is very good with minor dirt and wear to the surface consistent with age. There is attractive grey veining to the marble consistent with the material. There are a number of very small naturally occurring inclusions throughout. There are minor chips and abrasions to the edges at the bottom. There is a neatly executed strip of fill on the terrasse leading to the column and below the mosaic on the column. There are minor scratches to the top of the terrasse. The figure of cupid is in good condition, with a slightly mottled patina. Two arrows in the quiver are reattached and three appear lost. The gilding has greened in a few areas, and there are patches of abrasions. Sotheby's cannot guarantee the functioning nature of the fountain and recommends that it is fitted by a professional conservator.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This impressive fountain group was carved by the fashionable French sculptor Charles Raphaël Peyre, who trained under Alexandre Falguière and Antonin Mercié, two of the leading sculptors of the 19th century. Peyre exhibited regularly at the Paris Salon, of which he was a member from 1900, winning numerous awards (Bénézit, op. cit., vol. 10, p. 828). The dazzling combination of white marble, gilt lead, and mosaic, in the present group, reflect the taste for polychromed sculpture at the time Peyre was working, and recall aspects of the Art Nouveau movement. Interestingly, when the present sculpture was sold in 2014, it was accompanied by a photograph from Peyre, inscribed: Ch. Raphaël Peyre Salon de 1923 and Reproduction, acquire par la Ville de Paris, giving the title of the sculpture as: Fons - Amoris. It would thus appear that another version of the sculpture was acquired by the city of Paris.

The present marble was formerly owned by Sir Dhunjibhoy Bomanji, Kt. and his wife Lady Bomanji, Indian industrialists with homes in Bombay, Windsor and Harrogate. After her husband's death, Lady Bomanji resided in the family home in the elegant Yorkshire Spa town of Harrogate, where this sculpture was eventually placed. Before the house was sold in 2013, it was said to resemble a time warp from the 1920's, a relic of a lost era. Lady Bomanji was a major figure in the social life of Harrogate and was affectionately known by its townsfolk as 'Lady Harrogate'. A sculpture from the Bomanji collection was donated to the town, and now sits in its main square, outside the famous Betty's tearooms.

RELATED LITERATURE
E. Bénézit, Dictionnaire critique et documentaire des peintures sculptures dessinateurs et graveurs de tous les temps et de tous les pays par un group d'écrivains spécialistes français et étrangers, Paris, 1999, vol. 10,  p. 828