Camille Graeser

Gemalt 1969.

Galerie Teufel, Köln (von den heutigen Besitzern 1980 erworben)

São Paulo, Museu de Arte Moderna, X. Biennal de São Paulo 1969, 1969
Rio de Janeiro, Museu de Arte Moderna, X. Biennal de São Paulo 1969, 1970
Aarau, Aargauer Kunsthaus, Konfrontation 2: Mathematisch-konkrete Kunst und Surrealismus: Max Bill, Camille Graeser, Richard P. Lohse, Max von Moos, Otto Tschumi, Ilse Weber, 1971
Olten, Kunstverein, Zürcher Konkrete: Max Bill, Camille Graeser, Verena Loewensberg, Richard Paul Lohse, 1971, Nr. 20
Bochum, Galerie m, Camille Graeser: Konstruktionen, Bilder, Reliefs, 1972, Nr. 3
Bremerhaven, Kunstverein, Camille Graeser, 1972-73, Nr. 16
Zürich-Kloten, Kunstvitrine Flughafen Terminal B, Camille Graeser, 1975-76
Zürich/Ludwigshafen, Kunsthaus/Wilhelm-Hack-Museum, Camille Graeser, 1979, Nr. 49
Bottrop/Hannover, Moderne Galerie Quadrat/Kunstmuseum, Camille Graeser, 1981, Nr. 49

Verzeichnis Graeser, Nr. 223
Museu de Arte Moderna, X. Biennal de São Paulo 1969, Ausstellungskatalog, São
Paulo 1969, Nr. 11, abgebildet
Argauer Kunsthaus, Konfrontation 2: Mathematisch-konkrete Kunst und Surrealismus: Max Bill, Camille Graeser, Richard P. Lohse, Max von Moos, Otto Tschumi, Ilse Weber, Ausstellungskatalog, Aarau 1971, Nr. 32, abgebildet
Kunstverein Olten, Zürcher Konkrete: Max Bill, Camille Graeser, Verena Loewensberg, Richard Paul Lohse, Ausstellungskatalog, Olten 1971
Kunstverein Bremerhaven, Camille Graeser, Ausstellungskatalog, Bremerhaven 1972-73, Nr. 16, abgebildet
Willy Rotzler, Camille Graeser. Lebensweg und Lebenswerk eines konstruktiven Malers, Zürich 1979, S. 120, Nr. 84, abgebildet (in Farbe)
Kunsthaus/Wilhelm-Hack-Museum, Camille Graeser, Ausstellungskatalog, Zürich/Ludwigshafen 1979, Nr. 49
Moderne Galerie Quadrat/Kunstmuseum Hannover, Camille Graeser, Ausstellungskatalog, Bottrop/Hannover 1981, Nr. 49
Marcel Joray, Peintres Suisses/Schweizer Maler, Neuchâtel 1982, S. 32, abgebildet (in Farbe)
Rudolf Koella, Camille Graeser, Zürich 1992, S. 57, abgebildet
Rudolf Koella, Camille Graeser. Bilder, Reliefs und Plastiken. Camille Graeser Werkverzeichnis Band 3, Zürich 1995, S. 232, Nr. B 1969.8, abgebildet (in Farbe)

Not relined. Scattered, minuscule flyspots. Very faint fingerprint to the lower left. Faint imprint of the stretcher to the upper left. Tiny pencil mark to the upper right. No retouchings visible under uv-light. Good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."