Rudolf Bauer

Solomon R. Guggenheim, New York (acquired from the artist)
Solomon R. Guggenheim Museum, New York
J. Donald Nichols, Nashville
Gary Snyder Fine Art, New York
Private Collection, San Francisco

Charleston, South Carolina, Gibbes Memorial Art Gallery, Solomon R. Guggenheim
Collection of Non-Objective Paintings, 1936, no. 59, illustrated in the catalogue
Philadelphia, Philadelphia Art Alliance, Second Enlarged Catalogue of the Solomon R. Guggenheim Collection of Non-Objective Paintings, 1937, no. 59, illustrated in color in the catalogue
Charleston, South Carolina, Gibbes Memorial Art Gallery, Third Enlarged Catalogue of the Solomon R. Guggenheim Collection of Non-Objective Paintings, "Non-Objectivity is the Realm of Spirit", 1938, no. 80, illustrated in color in the catalogue
Baltimore, Museum of Art, Fourth Catalogue of the Solomon R. Guggenheim Collection of Non-Objective Paintings, "Non-Objectivity is the Realm of Spirit", 1939, no. 28, illustrated in the catalogue
New York, Solomon R. Guggenheim Foundation, Art of Tomorrow, Fifth Catalogue of the Solomon R. Guggenheim Collection of Non-Objective Paintings, 1939, no. 160, illustrated in color in the catalogue
Winston-Salem, North Carolina, Wake Forest University Fine Arts Gallery, American Abstract Art of the 1930s and 1940s: The J. Donald Nichols Collection, 1998, illustrated in the catalogue
New York, Solomon R. Guggenheim Museum; Munich, Museum Villa Stuck; Murnau, Schlossmuseum & Berlin, Deutsche Guggenheim, Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim, 2005-06, no. 153, illustrated in the catalogue 
San Francisco, Weinstein Gallery, Rudolf Bauer, 2007, illustrated in color in the catalogue

Hilla Rebay, Innovation, une nouvelle ère artistique, Paris, 1937, illustrated p. 41
The Solomon R. Guggenheim Foundation’s Art of Tomorrow (opening exhibition brochure), New York, 1939, illustrated on the cover
Karole Vail, ed., The Museum of Non-Objective Painting: Hilla Rebay and the Origins of the Solomon R. Guggenheim Museum, New York, 2009, illustrated p. 44

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