Italian, Rome, 17th century

private collection, Switzerland

Overall the condition of the marble is good with dirt and wear to the surface consistent with age. A section of the bottom of the roundel is reattached and a joint is slightly visible as are old restorations. The inscription has been filled with paint, which has worn away in areas. There is some wear to the high points, in particular to the ear and locks of hair in front of the ear. There is a light-brown colouration to the surface. There are three holes to the reverse for mounts. The frame is composed in sections, and joints are slightly visible. There is wear to the gold painted gesso surface and it has flaked in areas. It is supported by a metal rod and metal mounts.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This fine marble relief closely resembles the bust of Innocent XI which appears on a Scudo minted by the Papal States in 1677. Compare also with the gilt bronze medal with Innocent XI in the Metropolitan Museum of Art, New York (inv. no. 38.152.19).