Attributed to Jean II Penicaud (fl. 1534-1549) French, Limoges, second quarter 16th century

the reverse with an old paper label printed: MARTIN DIDIER

Sotheby's London, 11 December 1980, lot 139;
private collection, London, United Kingdom

There is are some restored areas, notably the bottom edge on the right and the bottom left corner. The top corners and edge are are restored. There is some craquelure to the restorations. There are some very slight stable splits in the enamel, notably below the tree where there is a slight loss. There is a scratch at Samson's abdomen. There are a few small pits. All but one of the pins from the metal frame are lost, there are two later replacements, and there is wear to the velvet frame. There is a piece of cardboard in the frame to the reverse keeping the enamel secure. Otherwise the condition is good with dirt and wear consistent with age.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Jean II Penicaud was the most important Limoges enameller of the second quarter of the 16th century and the leading exponent of the Italian Mannerist style through the period. The present enamel is very rare and can be attributed to Penicaud in the basis of its excellent quality, particularly in the delicately rendered faces with their trailing beards. Compare with figures on Penicaud's famous tazza from the Horace Walpole collection at the V&A (inv. no. C.2460&A-1910), in which the same composition is replicated in the interior. Scenes with Samson are relatively rare in Limoges enamels, with most of those dating from this period being attributed to members of the Penicaud family: examples can be found in the V&A, Hermitage and the Walters Art Gallery.