Italian, Naples, 18th century

Overall the condition of the wood is good with dirt and wear to the surface consistent with age. There is a slight fracture to the front proper right ankle, and the leg is slightly unstable. The back proper left leg detaches slightly from the base. The sculpture is composed in sections and joints are visible, including at the legs, neck, chest, and tail (top and midway down). There is wear to the original polychromy consistent with age, including various small losses and marks. There is particular wear to the underside. There are some stable fissures underneath the proper left front leg. The proper left eye appears to be a painted replacement. There are a few small plugs, including one to the back and one to the genitals. The underbelly is numbered: 12
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This elegant equestrian model recalls the polychromed terracotta horses made by Neapolitan sculptors of creche groups, such as Nicola Vassallo and Lorenzo Mosca. Compare, for example, with the mid-late 18th-century Neapolitan brown horse in the Metropolitan Museum of Art (inv. no. 64.164.107). The present horse is more stylised in appearance, indicating a date earlier in the 18th century, and compares with a smaller leaping horse sold at Christie's London on 29 July 2014, lot 226.