Francesco Cairo

The canvas has a relatively recent lining which is stable. The paint surface is a little worn in the darker shades, such as in the background above Judith and in the shaded areas of the figures themselves. There is a restored vertical scratch running through the right part of Judith's head, a circular restored damage in the background to the right of her head, just beneath her right shoulder and on her hand. There is some restoration around the mouth of her maidservant and scattered minor retouchings throughout. Sold unframed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

On the basis of style the painting should be dated to 1645-50, when the artist was at the peak of his career. The bejewelled head-dress and the shimmering robes find parallels in the Artemisia in a private collection.¹

The attribution has been endorsed by Professor Francesco Frangi following first-hand inspection of the work (private communication with the present owner).

1. See F. Frangi, Francesco Cairo, Turin 1998, p. 264, cat. no. 64, reproduced fig. 71.