Pham Hau

Private Collection, France

The work is in good condition overall, as are the panels, which are free from warping and cracks. There is light wear and handling around the edges of the panels along with associated nicks and chips and light oxidation on the gold surfaces due to age. Although, only apparent upon close observation. Examination under ultraviolet light shows no sign of restoration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Vietnamese lacquer artist Pham Hau is highly revered for his naturalist depictions of the country’s landscape. View of a Famous Old Pagoda’s Landscape in North Vietnamis a classic representation of the artist’s key themes and aesthetics. Created in 1934, the six-screen lacquer panel was exhibited in Hanoi with great success, before it was purchased and brought to France, where it remained till this present-day.

The Golden Age of Vietnamese Paintings was during the years 1930- 1945, and heralded in new art forms that transformed the country’s creative expression. Lacquer artwork was revived, and ultimately redefined with modern Vietnamese aesthetics and themes. View of a Famous Old Pagoda’s Landscape in North Vietnam is a grouping of six-screen lacquer panels that portray a picturesque Vietnamese countryside. The composition is reminiscent of contemporary Art Deco motifs, such as the graceful arabesques that provide a majestic view of the landscape. Pham Hau presented View of a Famous Old Pagoda’s Landscape in North Vietnam to the jury of L’Ecole des Beaux Arts de Hanoi as his graduating work in 1934. The artist proudly announced his signature style and demonstrated his masterful techniques in the execution of this beautiful work of art.

In the artwork silver clouds are seen in the sky, their presence creating a sense of depth within the overall composition. Pham Hau’s choice usage of blacks, gold, silvers and vermillion to recreate the natural beauty in the framework of the lacquer panel, shares with the audience the special ambience of the tropical landscape. Visible amidst the foliage is an old Vietnamese pagoda. The structure rises out of the greenery, an eloquent metaphor that represents peaceful coexistence between mankind and the awe-inspiring presence of Mother Nature.