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Satish Sinha (1893 - 1965)
Description
- Satish Sinha
- Untitled (Mother and Child and Portrait)
- Main image: Signed and dated 'Satish Sinh. / Jan '46.'
- Oil on board
- Main image 20 7/8 by 17 1/2 in. (53 by 44.5 cm.); image on reverse 20 3/8 by 17 1/4 in. (51.8 by 43.8 cm.)
- Painted in 1946
Provenance
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
It is extensively known that Sinha consistently painted in the Western academic and realistic style, and that his forte lies in his rendering of the female form. The main image of this lot exemplifies this capacity. He skillfully utilizes lambent light to capture the folds of the rose and chartreuse drapery, to highlight the subtle contours of the skin, and to illustrate the simple, domestic backdrop. The arrangement of the nursing mother and her child forms a triangle that dominates the canvas, creating a strong and stable composition which ultimately conveys the sense of security relayed from the maternal. The painting on reverse is composed of a contemplative, supine nude man in tranquil repose reclining on kaleidoscopic sheets in iridescent hues, diagonally fitting the picture plane. Sinha’s graceful modeling of the human form, such that every muscle and curve of the body is documented, was inspired by Raja Ravi Varma's paintings. The curved shape of the man’s body mimics the circular edges of his blankets, merging in symbiosis with the fabric beneath him, in harmony with his environment. Executed in such verisimilitude, Sinha’s paintings epitomize a sense of universal beauty.