Lot 56
  • 56

Man Ray

Estimate
5,000 - 7,000 EUR
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Description

  • Man Ray
  • Francis Picabia dans sa voiture, 1921
  • Silver print, printed later.
  • photograph
  • 8 by 13.1 cm, 3 1/8 by 5 1/8 in.
Francis Picabia, 1922 (printed later)
Silver gelatin print
3h x 5 1/4w inches

Estimate: €5,000 - 7,000

Subject to further research

Exhibited

Madrid, Paris & Berlin, 2007-10, p. 75
Tokyo, 2010, no. 47

Literature

Self Portrait, 1963, p. 197 (variante)
Autoportrait, 1964, ill. entre pp. 176 et 177 (variante)
Self Portrait, 1988, ill. p. 158
Washington, D.C., 1988-90, ill. p. 107 (variante)
Anvers, 1994, fig. 209 (variante)
Man Ray, 2009, ill. p. 350 (ce tirage)
Man Ray Portraits, 2010, ill. p. 211

Condition

This print is in very good general condition. The corners and the upper edge are slightly worn. With a few very light handling marks near the right edge and a few dots of indentations in the upper left quadrant near the centre, all visible in raking light only.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Man Ray and Picabia were firm friends and occasional artistic collaborators, both leading exponents of the Dada movement, though somewhat separated by Surrealism, since Picabia was opposed to André Breton's leadership. Picabia was passionate about sports cars, and he incorporated a print of this photograph showing him behind the wheel of his Mercer sports car in his 1921 work La Veuve joyeuse (private collection).