- 43
Rodolfo Morales (1925-2001)
Description
- Rodolfo Morales
- Plaza de pueblo y cuatro mujeres (Biombo de dos caras)
- signed lower right (Cuatro mujeres)
- oil, mixed media and wood mounted on a wood stand with wheels
- 55 by 70 7/8 by 4 in.
- 140 by 180 by 10 cm
- Executed circa 1984.
Provenance
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Muchos son los signos del código: Tamayo y sus atmosferas pictóricas que huelen a fruta tropical; Toledo en su orgacidad confesa en la interacción individuo-naturaleza-individuo; Rodolfo Nieto y los bestiarios cómicos y crueles, en la confusión del drama y la tragedia. En Morales, obsesionado por el espacio imaginado por un pueblo mítico, cuya representación es una meta narrativa, gozosa: personajes y construcciones coloniales que pertenecen a la realidad de Ocotlán, metamorfoseada por la imaginación y la poesía que construyen una nueva Nínive, esa otra ciudad mítica construida sobre las puntas cósmicas de la Osa Mayor.”
Julio César Schara, “Rodolfo Morales y el arte de Oaxaca,” Rodolfo Morales: maestro de los sueños, Mexico City: Lunwerg Editores, 2005, p. 72