- 435
Albert Marquet
Estimate
70,000 - 90,000 USD
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Description
- Nu aux bras levés
- Signed Marquet (lower right)
- Oil on canvas
- 36 3/8 by 28 7/8 in.
- 92.4 by 73.4 cm
Provenance
Mme Albert Marquet (the artist's widow)
Wildenstein & Co., Paris & New York (acquired from the above)
Private Collection, New York (acquired from the above in 1990)
Private Collection (acquired from the above in 2001)
Wildenstein & Co., Paris & New York (acquired from the above)
Private Collection, New York (acquired from the above in 1990)
Private Collection (acquired from the above in 2001)
Exhibited
Paris, Musée d'Art Moderne, Albert Marquet, 1948, no. 96
Algiers, Musée National des Beaux-Arts, Exposition d'oeuvres d'Albert Marquet, 1949, no. 20
Bordeaux, Musée de Peinture, Rétrospective des oeuvres de A. Marquet, 1949, no. 19
Copenhagen, Staten Museum for Kunst, Albert Marquet, 1950, no. 16
Oslo, Kunstnernes Hus, Albert Marquet, 1950, no. 14
Jerusalem, Bezalel National Art Museum, Exposition Albert Marquet, 1951, no. 14
Tel Aviv, Tel Aviv Museum of Art, Albert Marquet, 1951, no. 14
London, Wildenstein & Co., Paintings by Albert Marquet, 1952, no. 13 (dated 1910)
New York, Wildenstein & Co., Marquet, 1953, no. 31
Vevey, Musée Jenisch, Exposition Albert Marquet, 1953, no. 30, illustrated in color in the catalogue
Paris, Maison de la Pensée Française, Marquet, 1953, no. 29
Besançon, Musée des Beaux-Arts, Albert Marquet, 1955, no. 14
Rotterdam, Museum Boymans & Arnhem, Gemeente Museum, Marquet, 1955-56, no. 30
Albi, Musée Toulouse-Lautrec, Albert Marquet, 1957, no. 14
Paris, Grand Palais, 50e Salon d'Automne, 1958, no. 19
Nancy, Musée des Beaux-Arts, Albert Marquet, 1959, no. 24
Tokyo, Bridgestone Museum of Art, Marquet, 1960, no. 17, illustrated in the catalogue
Hamburg, Kunstverein, Albert Marquet: Gemälde, Pastelle, Aquarelle, Zeichnungen, 1965, no. 48, illustrated in the catalogue
Paris, Galerie Schmit, Exposition Marquet, 1967, no. 32, illustrated in the catalogue
Tokyo, Seibu Museum of Art; Kyoto, The National Museum of Modern Art & Fukuoka, Art Museum, Exposition Albert Marquet, 1973-74, no. 14, illustrated in the catalogue
Bordeaux, Galerie des Beaux-Arts & Paris, Musée de l'Orangerie, Albert Marquet, 1975-76, n.n.
New York, Wildenstein & Co., Albert Marquet, 1985, n.n., illustrated in the catalogue
Lausanne, Fondation de l'Hermitage, Albert Marquet: 1875-1947, 1988, no. 34, illustrated in color in the catalogue
Algiers, Musée National des Beaux-Arts, Exposition d'oeuvres d'Albert Marquet, 1949, no. 20
Bordeaux, Musée de Peinture, Rétrospective des oeuvres de A. Marquet, 1949, no. 19
Copenhagen, Staten Museum for Kunst, Albert Marquet, 1950, no. 16
Oslo, Kunstnernes Hus, Albert Marquet, 1950, no. 14
Jerusalem, Bezalel National Art Museum, Exposition Albert Marquet, 1951, no. 14
Tel Aviv, Tel Aviv Museum of Art, Albert Marquet, 1951, no. 14
London, Wildenstein & Co., Paintings by Albert Marquet, 1952, no. 13 (dated 1910)
New York, Wildenstein & Co., Marquet, 1953, no. 31
Vevey, Musée Jenisch, Exposition Albert Marquet, 1953, no. 30, illustrated in color in the catalogue
Paris, Maison de la Pensée Française, Marquet, 1953, no. 29
Besançon, Musée des Beaux-Arts, Albert Marquet, 1955, no. 14
Rotterdam, Museum Boymans & Arnhem, Gemeente Museum, Marquet, 1955-56, no. 30
Albi, Musée Toulouse-Lautrec, Albert Marquet, 1957, no. 14
Paris, Grand Palais, 50e Salon d'Automne, 1958, no. 19
Nancy, Musée des Beaux-Arts, Albert Marquet, 1959, no. 24
Tokyo, Bridgestone Museum of Art, Marquet, 1960, no. 17, illustrated in the catalogue
Hamburg, Kunstverein, Albert Marquet: Gemälde, Pastelle, Aquarelle, Zeichnungen, 1965, no. 48, illustrated in the catalogue
Paris, Galerie Schmit, Exposition Marquet, 1967, no. 32, illustrated in the catalogue
Tokyo, Seibu Museum of Art; Kyoto, The National Museum of Modern Art & Fukuoka, Art Museum, Exposition Albert Marquet, 1973-74, no. 14, illustrated in the catalogue
Bordeaux, Galerie des Beaux-Arts & Paris, Musée de l'Orangerie, Albert Marquet, 1975-76, n.n.
New York, Wildenstein & Co., Albert Marquet, 1985, n.n., illustrated in the catalogue
Lausanne, Fondation de l'Hermitage, Albert Marquet: 1875-1947, 1988, no. 34, illustrated in color in the catalogue
Literature
Marcelle Marquet & François Daulte, Marquet: Vie et portrait de Marquet, Lausanne, 1953, no. 19, illustrated in color pl. 19
Francis Jourdain, Marquet, Paris, 1959, no. 182, illustrated p. 182
Francis Jourdain, Marquet, Paris, 1959, no. 182, illustrated p. 182
Condition
Work is in overall very good condition. Canvas is not lined. The edges are reinforced with tape. There is a tiny pindot of paint loss in the lower right corner. A few stable hairline craquelure are visible in the thickest areas of white pigment on the figure's body. Under UV light: a varnish impedes thorough examination but small spots of fluorescence are visible along the extreme upper left edge, in the background pigment to the lower left and upper right of the figure and to her lower torso.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.