- 144
Edouard Vuillard
Estimate
60,000 - 80,000 GBP
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Description
- Edouard Vuillard
- Thérèse Dorny
- stamped Vuillard (lower right)
- distemper on paper laid down on canvas
- 140 by 93cm., 55⅛ by 36⅝in.
Provenance
Galerie Georges Maratier, Paris
Jérôme Ottoz, Paris (acquired in 1959)
Private Collection, France
Jérôme Ottoz, Paris (acquired in 1959)
Private Collection, France
Exhibited
Edinburgh, Royal Scottish Academy, Pierre Bonnard & Edouard Vuillard, 1948, no. 120
London, Wildenstein, Edouard Vuillard, 1948, no. 62
Paris, Galerie Charpentier, Vuillard, 1948, no. 103
Basel, Kunsthalle, Edouard Vuillard (1868-1940), Charles Hug, 1949, no. 228
Munich, Kunstverein, Bonnard, Roussel, Vuillard, 1959, no. 67
London, Wildenstein, Edouard Vuillard, 1948, no. 62
Paris, Galerie Charpentier, Vuillard, 1948, no. 103
Basel, Kunsthalle, Edouard Vuillard (1868-1940), Charles Hug, 1949, no. 228
Munich, Kunstverein, Bonnard, Roussel, Vuillard, 1959, no. 67
Literature
Claude Roger-Marx, 'Edouard Vuillard 1867-1940' in Gazette des Beaux-Arts 29, no. 952, June 1946, fig. 11, illustrated p. 372
Jean Fayard, 'La Parisienne vue par les peintres, Mimi Pinson ou la duchesse de Guermantes' in Le Jardin des arts, no. 43, May 1958, illustrated p. 431
Antoine Salomon & Guy Cogeval, Vuillard: Catalogue critique des peintures et pastels, Paris, 2003, vol. III, no. XII-108, illustrated p. 1511
Jean Fayard, 'La Parisienne vue par les peintres, Mimi Pinson ou la duchesse de Guermantes' in Le Jardin des arts, no. 43, May 1958, illustrated p. 431
Antoine Salomon & Guy Cogeval, Vuillard: Catalogue critique des peintures et pastels, Paris, 2003, vol. III, no. XII-108, illustrated p. 1511
Condition
Executed on buff coloured wove paper, mounted on canvas. The edges of the canvas have been taped around the stretcher. The sheet is slightly undulating in a few areas, including the upper left corner, and there area a number of small possible repaired tears visible around the perimeter. There is some very minor cracking in some of the thickest areas of pigment, particularly noticeable on the figures proper left cheek. This excepting, the work is in very good overall condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."