Lot 19
  • 19

Ivan Konstantinovich Aivazovsky

Estimate
50,000 - 100,000 GBP
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Description

  • A Naval Parade and View of Odessa
  • both initialled
  • oil on panel
  • 10 by 16cm, 4 by 6 1/4 in.

Literature

l.Samarine and G.Caffiero, Seas, Cities and Dreams: the Paintings of Ivan Aivazovsky, London: Alexandria Press, 2000, p.53 both illustrated
l.Samarine and G.Caffiero, Light, Water and Sky: the Paintings of Ivan Aivazovsky, London: Alexandria Press, 2012, p.316 both illustrated

Condition

A Naval Parade: there are some chips and areas of paint loss along the edges, most notably to the top left corner and the bottom edge. The paint surface is covered in a layer of dirt. Examination under UV light does not reveal any signs of retouching. Held in a gold painted wooden frame. Unexamined out of frame View of Odessa: There are some scuffs and areas of paint loss along the edges, most noticeably along the right edge. There is craquelure in places and the paint surface is covered with a layer of dirt. Inspection under UV light does not reveal any signs of restoration. Held in a gold painted wooden frame. Unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The present depictions of military and merchant shipping on the Black Sea are thought to date from the 1890s.

The present works are included in the numbered archive of the artist’s work compiled by Gianni Caffiero and Ivan Samarine.

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