- 3109
A Fine and Rare Pair of Doucai 'Chicken Cups' Marks and Period of Yongzheng
Description
- porcelain
Provenance
Exhibited
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
It is interesting to compare this cup with the Chenghua cup from the Edward T. Chow collection sold in these rooms 25th November 1980, lot 31. A second example of a Chenghua 'chicken cup' is being offered this season from the Meiyintang collection, lot 1, formerly in the Mrs. Leopold Dreyfus collection. Although both have a cock, hen and chicks on each side divided by rocks and plants, the Yongzheng cocks are in different positions, with elaborate ruffled tail feathers instead of the three long feathers characteristic of the Chenghua birds, the clump of yellow orchids on one side of the original cup has been changed into bamboo, with a single small lily to one side, and the proportions of the roses and blue rocks on the other side has altered considerably.
The Chenghua cup from the Chow Collection is also illustrated by Cécile et Michel Beurdeley, La céramique chinoise, Fribourg, 1974, col. pls. 71 and 72, together with cups from the same Collection with Kangxi and Yongzheng reign marks, also sold in these rooms, but these Qing cups follow the original very closely in the style of the painting and the position of the birds, with three long tail feathers, as well as in the outline of the cup and the arrangement of the reign marks in a double square.