- 170
Joseph Marie Thomas Lambeaux
Estimate
12,000 - 18,000 USD
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Description
- Joseph Marie Thomas Lambeaux
- Laocoön
- signed Jef Lambeaux and inscribed J. PETERMANN/FONDEUR/BRUXELLES
- bronze, dark brown patina, set on a gilt bronze mounted green onyx pedestal
- height 33 in.; width 37 in.; depth 22 in.; height of pedestal 37 in.
- 84 cm; 94 cm; 56 cm; 94 cm
on a gilt-bronze-mounted onyx pedestal
Condition
Overall in good original condition with the usual wear to the patina in places. Dirt to crevices. Light scratches and dents consistent with age.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The present group is undoubtedly the artist's own interpretation of the antique Laocoön, rendered here with great sensitivity highlighting the influence of the impressionistic technique of Rodin. The ancient marble was discovered in Rome in 1506, and the emotional intensity of the work made a profound impression on artists for generations.