- 493
Sarah Lucas
Estimate
50,000 - 70,000 USD
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Description
- Sarah Lucas
- Where Does it All End?
- wax and cigarette
- 2 1/4 by 4 1/8 by 2 1/2 in. 5.7 by 10.5 by 6.4 cm.
- Executed in 1994-1995, this work is from an edition of 10 plus 2 artist's proofs.
Provenance
Private Collection
Christie's, New York, May 12, 2010, lot 459
Acquired by the present owner from the above sale
Christie's, New York, May 12, 2010, lot 459
Acquired by the present owner from the above sale
Exhibited
New York, Barbara Gladstone Gallery, Supersensible, March - April 1995 (another example exhibited)
Miami, The Sender Collection, Home Alone, November - December 2011
Miami, The Sender Collection, Home Alone, November - December 2011
Literature
Jan van Adrichem, "Where Does It All End?," Parkett, No. 45, 1995, p. 86, illustrated
Exh. Cat., Minneapolis, Walker Art Center, Brilliant! New Art from London, 1996, p. 64, illustrated
Exh. Cat., Rotterdam, Museum Boijmans Van Beuningen, Sarah Lucas, 1996, pp. 13 and 47, illustrated
Exh. Cat., Frankfurt, Portikus, Sarah Lucas, 1996, front cover and p. 17, illustrated
Exh. Cat., South London Gallery, Minky Manky, 1997, n.p., illustrated
Exh. Cat., London, Royal Academy of Art, Sensation: Young British Artists from the Saatchi Collection, 1997, p. 117, illustrated
Burkhard Riemschneider and Uta Grosenick, eds., Art at the Turn of the Millennium, Cologne, 1999, p. 327, no. 2, illustrated
Dick Price, Young British Art: The Saatchi Decade, London, 1999, p. 209, illustrated
Matthew Collings, Sarah Lucas, London, 2002, pp. 90-91, illustrated
Yilmaz Dziewior, Sarah Lucas Catalogue Raisonné 1989-2005, Ostfildern-Ruit, 2005, pp. 94-95, 97 and 126, illustrated
Exh. Cat., Minneapolis, Walker Art Center, Brilliant! New Art from London, 1996, p. 64, illustrated
Exh. Cat., Rotterdam, Museum Boijmans Van Beuningen, Sarah Lucas, 1996, pp. 13 and 47, illustrated
Exh. Cat., Frankfurt, Portikus, Sarah Lucas, 1996, front cover and p. 17, illustrated
Exh. Cat., South London Gallery, Minky Manky, 1997, n.p., illustrated
Exh. Cat., London, Royal Academy of Art, Sensation: Young British Artists from the Saatchi Collection, 1997, p. 117, illustrated
Burkhard Riemschneider and Uta Grosenick, eds., Art at the Turn of the Millennium, Cologne, 1999, p. 327, no. 2, illustrated
Dick Price, Young British Art: The Saatchi Decade, London, 1999, p. 209, illustrated
Matthew Collings, Sarah Lucas, London, 2002, pp. 90-91, illustrated
Yilmaz Dziewior, Sarah Lucas Catalogue Raisonné 1989-2005, Ostfildern-Ruit, 2005, pp. 94-95, 97 and 126, illustrated
Condition
This work is in very good condition overall. There is some loose tobacco and dust located on the bottom of the frame. The cigarette is slightly yellowed from time staining, which is inherent to the medium. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.