- 35
Wu Shanming
Description
- Wu Shanming
- Seeking the Way
- signed in Chinese, titled, inscribed, dated 2014, and marked with four artist seals, framed
- ink and colour on paper
Provenance
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
After 1949, painting en plein aire in rural areas became an important part of the art school program in China—a tradition that continues today. Exposed to the rich local customs of the Western China highlands, his creative passion was fuelled by the tranquil atmosphere, the abundance of bright daylight, and the people's modest lifestyle and humble temperament. Traditional Chinese figure painting methods and techniques were insufficient for Wu Shanming's artistic expressions, which led to the revolution of his artistic approach.
Fusing together traditional ink painting and Western fine art sketching concepts, his figurative painting combines su-mo (overnight ink), dan-mo (light ink) and linear xie-yi (free, spontaneous emotional brushstroke) approach to figure painting. His paintings are characterised by an ingenious use of su-mo and zhong feng (centre tip) brush techniques that greatly enhance the range of variation in works on paper.
Seeking the Way (Lot 35) aptly illustrates Wu Shanming's mastery of xie-yi figure painting techniques. The monks in the foreground appear both solid and full of life, where one has his palms pressed together, his gaze determined and pious, whilst the other seems to be chanting with his eyes closed. The mountains in the distance add an atmosphere of serenity and understated elegance.