- 127
A pair of Italian gilt-bronze-mounted fruitwood inlaid rosewood and marquetry commodes, Roman mid 18th century
Description
- rosewood, fruitwood, pine, poplar, glt-bronze
- each 89cm. high, 133cm. wide, 62cm. deep; 2ft. 11in., 4ft. 4⅓in., 2ft. ½in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Enrico Colle, Il Mobile Rococò in Italia, Arredi e Decorazioni d'interni Dal 1738 al 1775, Milan, 2003, pp. 120-122.
Giacomo Wannenes, Mobili D'Italia, Milan, 1984, p.112, where an single Roman commode of identical form with very similar marquetry is illustrated.
This rare pair of Roman commodes in rosewood is skillfully inlaid with delicate sinuous foliate reserves in striking contrast with a light wood on a dark ground and represents the apogee of Roman intarsia work of the middle years of the 18th century. The taste in Rome for furniture inlaid in light woods on a darker background with a type of `seaweed' marquetry took inspiration from the German cabinet-makers working in Rome in the 18th century. This commode `e balestra' is often mistaken for Tuscan models, however, the more substantial form is typical of Roman commodes of this period.
Colle, op. cit., pp. 120-122, states that the form and decoration of the illustrated cassettone which in some respects reflects that of the offered lot, is by an unknown Roman ebanista active in the middle years of the 18th century. The escutcheon mounts on the illustrated cassettone and the decorative elements of the lighter coloured reserves enclosing the escutcheons and at each end of the drawers are very similar to those on the offered commode. Also see a commode with a marble top but of identical shape and similar lighter wood foliate reserves, illustrated by Colle, op. cit., p. 122.