Lot 582
  • 582

Luo Zhongli

Estimate
2,800,000 - 3,800,000 HKD
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Description

  • Luo Zhongli
  • Tibetan Girl
  • oil on canvas
  • 61 by 75.9 cm. 24 1/8 by 29 7/8 in.
  • 1988
signed in Pinyin and Chinese and dated 88

Provenance

Signet Fine Art, Chicago
Acquired from the above by the owner in 1992
Christie's Hong Kong, November 29, 2009, Lot 1026
Private European Collection

Literature

New Era in Chiense Painting, Signet Fine Art, Chicago, 1989, p. 20, illustrated in colour

Condition

This work is in good condition. There are scattered spots of retouching in the upper part of the painting, predominantly at the upper left corner. There is evidence of scattered minor craquelure along the top edge and at the center of the work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Tranquil and Rustic Beauty of the Rural Hometown
Created in 1988, Tibetan Girl fully embodies Luo Zhongli's mature artistic style upon returning to China. The depiction is extremely delicate, like a soft feather, the colors are misty and gentle, shrouding the picture with an air of tranquility, peace and harmony. Carrying a water jug, the girl in the picture approaches slowly towards the viewer, after a long and arduous journey from an isolated small village. The artist captured the fleeting moment when her eyes met with his, immortalizing the brief instant in his picture. Unlike Millet's solemn portrayal of French peasants, often characterized by a religious element, Luo's characters display a kind of optimism and willingness to embrace life's unexpected events, as China continued with its economic reforms. The innocent and calm gaze of the girl reaches directly into the viewer's heart, creating emotional resonance at the painting's soul.