Lot 54
  • 54

Abdel Hadi El-Gazzar

Estimate
15,000 - 20,000 GBP
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Description

  • Abdel Hadi El-Gazzar
  • The Light from within the Green
  • signed el gazzar. 58 lower right; titled in Arabic on the reverse
  • oil and pen and ink on paper
  • 37 by 55cm., 14½ by 21¾in.

Literature

Enas El Hendy, Abdel Hadi El Gazzar: Reading into the Consciousness of People, Cairo, 2010, p. 182, illustrated

Condition

The artist's sheet is laid on board, apparently by the artist himself. This work is in good original condition and ready to hang. Presented in a simple gilt frame, with a cloth-covered inner slip. The greens are much less blue, and more luminous, in reality than in the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Abdel Hadi El Gazzar can be seen as the father of the Egyptian contemporary art movement, dismissing from the late 1950s received ideas about what modern art should be. He was a key member of the Contemporay Art Group, which was founded by his professor Hussein Youseff Amin. El Gazzar rejected the trope of defining Egyptian identity based on western precepts. His abstract paintings are a direct development of his oeuvre from the depiction to folkoric scenes, to the seashell period and the scientific man.

This work is El Gazzar's attempt to dismantle doxa imposed by the art schools, patrons, as well as critics. This abstract and vivid green palette is a direct correlation with his thoughts on mental and spiritual freedom.