Aimé-Jules Dalou

Given the fragility of the material, the condition is relatively good with minor dirt and wear to the surface consistent with age. The proper right arm is slightly loose, there is a fissure to the shoulder, and some restorations in this area. There are numerous original fissures and lacunae consistent with material and technique. There may be some small losses to under the proper left thigh and buttock, and possible restorations here. There are some scratches to the surface. There is wear to the base, including stable splitting, chips and scratches.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This rare and finely modelled wax maquette provides a fascinating glimpse into the initial stages of Dalou’s creative process. It is thought that the present wax figure relates to the sculpture surmounting the Monument to Justice intended for the Salle Casimir-Perier in the Chamber of Deputies, Paris, which was commissioned by its president, Charles Floquet. After Floquet’s term ended, however, the construction of the monument was abandoned. Only an empty niche surrounded by murals painted by Delacroix remains. In a drawing for the monument kept in the Petit Palais (inv .no. 91 PPA 1643 A), Dalou depicted a pyramidal massing of three female figures of which the seated figure is thought to be the direct descendant of the present wax figure. Dalou often reworked poses and transferred attributes from one figure to another, so it is not surprising that the present preliminary study differs from the sketch.