- 785
India, Deccan, circa 1750
Estimate
4,000 - 6,000 GBP
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Description
- Leaf from a Ragamala Series: Desakh Ragini
- gouache and gold on paper
- folio: 31 by 20.2cm., 12 1/4 by 8in. painting: 24.3 by 16cm., 9 1/2 by 6 1/3in.
Literature
Condition
Good overall condition, small losses to paint in upper section, small worm holes to lower left corner, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Ragamala paintings are inspired by a genre of poetry that assigned a specific form, mood and ambience to various musical modes. The paintings employ human characters to personify the ragas, and along with various props and architectural compositions, convey the emotional state of the corresponding music and its poetic symbolism. These illustrations therefore form a bridge between music, poetry and painting. This particular ragamala depicts pursuits of althletic prowess and strength, including wrestling (considered a noble activity in the Mughal era), as well as weightlifting and archery.