- 27
Dayak Fragment of an Ancestor Image, Borneo, Indonesia
Estimate
15,000 - 25,000 USD
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Description
- wood
- Height: 29 in (73.7 cm)
Provenance
Allan Stone, New York
Condition
Stable condition, weathered and fragmentary as shown in catalogue photograph. Surface cracks and striated surface erosion from age and weathering as seen in catalogue The surface of the proper left side burned. Large channel running through center of the head beginning on edge of the proper right eye. Fine weathered, aged patina. Four metal bolts drilled into reverse for mounting.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This beautiful and intriguing fragment, once part of a collosal ancestor image (generally referred to as a hampatong) is notable for its great refinement, elegant design, and monumental scale. The wood has been extensively weathered from exposure to the elements in situ. This natural erosion poetically cooperates with the sculptor's design, which persists despite the passage of time.